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3 year Strategic Plan

introduction] [industry trends] competition] [donor trends] [SWOT(strengths)]
[SWOT(weaknesses)] [SWOT (opportunities)] [SWOT (threats)] [mission statement] [position statement]
[Organization principals] [goals] [strategic objectives]

                                                    

 

 

 

 

Introduction

This plan was developed to provide a direction for The United States Vietnam Arts program as it relates to its mission.     
  In 1972 the war between the United States and Vietnam ended, and the two countries have been trying to pick up the pieces ever since.  But, before we can mend the deep wounds of war- before the new generations can understand what happened then and what happens next-- both countries must continue to work together to establish a sense of international community.  Artists can play a valuable role in this process by providing a variety of expressive forms to enhance our dialogue and enrich our experiences.
 Over the next three years, this plan will be implemented with this vision as its cornerstone. USVAP will encourage and provide opportunities for meaningful collaborations between artists of Vietnam and the United States.  Conceived by composer and Vietnam veteran, Kimo Williams, USVAP will go beyond the "in-and-out" syndrome of most cultural exchanges and provide a new collaborative experience between two countries that once were at war.

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Environmental Analysis [back to top]


Industry Trends
Technology is affecting the arts presenting industry by allowing the internet to become more accessible to donors wanting to give online.

Given the overall decline in the economy at present, we anticipate that economic factors will have a negative impact on donation possibilities for USVAP
. We therefore must be aggressive in our funding initiatives.

Competition
We defined our primary competitors as: the Chicago Museum of Contemporary Arts' music productions, the Hot House International Musical Arts Program, and arts organization specific to raising funds for international arts events.  These include the Chicago Sister Cities Program, the Chicago Artists International Program (CAIP), and the International Exchange Program associated with Gallery 37.  These are examples of the direct competition we face from organizations presenting programs that raise funds for international arts events.  We have analyzed these competitors' offerings, and believe that our offerings are different on specific attributes.

 

Donors will compare our events and programs with those of our direct competitors on the basis of our uniqueness and international impact, donation amount requested, and the objectives of the USVAP program.


Donors will also choose our offerings over our competition based on the quality and uniqueness of our
sponsored events and the objectives of the USVAP program.


Our program is smaller than our closest competitors.  Size differences are not a significant advantage in our specific market because the impact that the program will have will drive donors to contribute.  Therefore our strategic initiatives do not need to reflect our relative size.

We also analyze our competitors in respect to what they offer, their average event contribution request, their packaging, where they are located, what type of special incentives they offer, what type of promotions they do, and how they are using technology.

When we review our competition strengths and weaknesses we find:

Competition Strengths [back to top]

Established in potential donor's minds. Specifically, donors who give to established organizations with broad missions.

Competition Weaknesses

 

Donors
We defined our market as potential donors who would give to arts programs such as ours who are: Vietnam Veterans, individuals sensitive to the Vietnam Veteran, individuals interested in the Vietnam War and its impact on our culture, and individuals interested in advancing art events across international boundaries.

Of the donations given from 1987 to 1998, 6% were given to the arts and 1.2% were given to International affairs. Of the total donations, 77.3% where from individuals, 9.8% from foundations, and 5.1% from corporations.

 

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The arts giving had a 2.3% drop from 1997 to 1998 according to Giving USA. This decline is due mostly to a drop in giving to medium-sized organizations.  Our organization is relatively small and the 2.3% drop is not significant to our strategic plan.  Giving to international causes has risen by 7.6%.  With the continued reaffirmation of diplomatic relationship with Vietnam, USVAP will emphasize our program commitment to international cooperation.

 

 Our typical donor is an individual between the ages of 30 and 55.  This person typically is educated at least to the college level, and is most likely to be an entrepreneur with an understanding of Vietnam and the need for reconciliation efforts.  Additionally, our typical donor is a professional with a past relationship attached to Vietnam, academically, emotionally or professionally.  Our typical donor has a household income of between ($25,000.00 to $80,000.00) per year.  Our typical donor lives in a household consisting of him or her self, a spouse or partner, and children living at home.


Donors Commitment to giving to Arts Organization

Our typical donor is moderately committed to giving to arts organizations with a mission related to international arts presenting. Our environmental analysis indicates that commitment to giving to international presenting organizations specific to Vietnam is higher than loyalty to international arts presenters against which we compete closely.

At relatively little cost over the next five years, we believe we could build additional commitment to our Vietnam specific international mission among current potential donors.


Over the next five years we believe our highest potential for attracting new donors is to target potential donors who are similar to our current donor profile. In order to attract these new potential donors, we will need to invest in improving their understanding of USVAP
and its mission through programmatic events of the highest quality.


 

 
SWOT Analysis (Strength, Weaknesses, Opportunities, and Threats) [back to top

 

Strengths

We understand the artistic culture of Vietnam.

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Weaknesses

 

Opportunities



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      Threats

 

 

In conclusion, our environmental analysis indicates that our market offers opportunities for us to succeed by enhancing our USVAP image.  This requires us to communicate more information to our potential donors in order to make sure they understand what makes us unique.

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Mission Statement

The mission of USVAP is to provide opportunities for artists from Vietnam and the United States to work collaboratively on artistic projects; to offer encouragement and support for the collaborative process particularly across cultural boundaries; and to positively bring together new and existing audiences to discover or rediscover the cultural and artistic traditions of both countries.

 

Position Statement

USVAP will go beyond a mere cultural exchange program and provide experiences and opportunities for artists from the U.S. and Vietnam to learn about each other's cultures through artistic expression. These experiences are designed to occur over several years and through interdisciplinary artistic engagements.  Ultimately, the goal of USVAP is to present a performance of artists from both countries working (for the first time since the war, and quite possibly for the first time ever) as a single organization.

 

Our organization offers out target market (Vietnam Veterans, individuals sensitive to the Vietnam Veteran, individuals knowledgeable about or interested in the high quality of the artists involved in USVAP events, individuals interested in the Vietnam War and its impact on our/their culture, and individuals interested in supporting international arts programs/events) an opportunity to engage in cross-cultural interactivity and create a humanistic synergism that will break the barriers that has kept our two countries apart for so many years.

 

Our organization is unique from our competitors because its leadership includes a connection to Vietnam through artists and individuals that fought in the war or are personally impacted by the war and are passionate about reconciliation. Also, USVAP will offer a benefit that will involve multi-disciplined collaborative events of artistic works by artists from the U.S. and Vietnam.  These events/productions will include thematic dual commissions, exhibitions, master classes, education interactivity programs and symposia on cross-cultural issues.

 

Principals [back to top

Goals [back to top

 




Strategic Objectives

 

Goal #1: To raise and distribute funds to support programs and events produced by USVAP.

Objectives

 

 

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Goal #2: To maintain and improve the organization.

 

Objectives

 

Goal #3: To present quality art and educational events that are collaborative in nature between Vietnamese artists living in Vietnam and United States artists living in the United States..

 

 

Objectives

 

Goal #4: To insure artistic decisions are inclusive of individuals who are Vietnamese living in Vietnam and Americans living in the United States.

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Objectives

Insure at least one member of the board of directors is Vietnamese living in the US.